Accepted Papers
Affective Facial Expression and Recognition
| Expressive Face Animation Synthesis based on Dynamic Mapping Method | |
| Panrong Yin, Liyue Zhao, Lixing Huang, Jianhua Tao | |
| Model of Facial Expressions Management for an Embodied Conversational Agent | |
| Rados law Niewiadomski and Catherine Pelachaud | |
| Facial Expression Synthesis using PAD Emotional Parameters for a Chinese Expressive Avatar | |
| Shen Zhang,, Zhiyong Wu, Helen M. Meng, and Lianhong Cai | |
| Reconstruction and Recognition of Occluded Facial Expressions using PCA | |
| Howard Towner and Mel Slater | |
Affective Body Expression and Recognition
| Recognizing Affective Dimensions from Body Posture | |
| Andrea Kleinsmith and Nadia Bianchi-Berthouze | |
| Detecting affect from non-stylised body motions | |
| Daniel Bernhardt and Peter Robinson | |
| Recognising Human Emotions from Body Movement and Gesture Dynamics | |
| Ginevra Castellano, Santiago D. Villalba, and Antonio Camurri | |
| Person or Puppet? The Role of Stimulus Realism in Attributing Emotion to Static Body Postures | |
| Marco Pasch and Ronald Poppe | |
| Motion Capture and Emotion: Affect Detection in Whole Body Movement | |
| Elizabeth Crane and Melissa Gross | |
| Does body movement engage you more in digital game play? And Why? | |
| Nadia Bianchi-Berthouze, Whan Woong Kim, Darshak Patel | |
Affective Speech Processing
| A systematic comparison of different HMM designs for emotion recognition from acted and spontaneous speech | |
| Johannes Wagner, Thurid Vogt, Elisabeth Andr | |
| On the Necessity and Feasibility of Detecting a Driver’s Emotional State While Driving | |
| Michael Grimm, Kristian Kroschel, Helen Harris, Clifford Nass, Bjorn Schuller, Gerhard Rigoll, and Tobias Moosmayr | |
| Frame vs. Turn-Level: Emotion Recognition from Speech Considering Static and Dynamic Processing | |
| Bogdan Vlasenko, Bjorn Schuller, Andreas Wendemuth, Gerhard Rigoll | |
| Characterizing Emotion In the Soundtrack of an Animated Film: Credible or Incredible? | |
| Noam Amir, Rachel Cohen | |
| Time- and Amplitude-Based Voice Source Correlates of Emotional Portrayals | |
| Irena Yanushevskaya, Michelle Tooher, Christer Gobl, Ailbhe Nı Chasaide | |
| Temporal organization in listeners’ perception of the speakers’ emotions and characteristics: A way to improve the automatic recognition of emotion-related states in human voice | |
| Valérie Maffiolo, Noel Chateau, Gilles Le Chenadec | |
Affective Text and Dialogue Processing
| You are sooo cool, Valentina!’ Recognizing social attitude in speech-based dialogues with an ECA | |
| Fiorella de Rosis, Anton Batliner, Nicole Novielli, Stefan Steidl | |
| Assessing Sentiment of Text by Semantic Dependency and Contextual Valence Analysis | |
| Mostafa Al Masum Shaikh, Helmut Prendinger, and Ishizuka Mitsuru | |
| How Rude Are You?: Evaluating Politeness and Affect in Interaction | |
| Swati Gupta, Marilyn A. Walker, Daniela M. Romano | |
| Textual Affect Sensing for Sociable and Expressive Online Communication | |
| Alena Neviarouskaya, Helmut Prendinger, Mitsuru Ishizuka | |
| Lexical Affect Sensing: Are Affect Dictionaries Necessary to Analyze Affect? | |
| Alexander Osherenko, Elisabeth André | |
| Affective Text Variation and Animation for Dynamic Advertisement | |
| Carlo Strapparava, Alessandro Valitutti, and Oliviero Stock | |
Recognising Affect using Physiological Measures
| Entertainment Modeling in Physical Play through Physiology beyond Heart-Rate | |
| Georgios N. Yannakakis and John Hallam | |
| Comprehension of Users’ Subjective Interaction States during their Interaction with an Artificial Agent by Means of Heart Rate Variability Index | |
| Takanori Komatsu, Sho’ichiro Ohtsuka, Kazuhiro Ueda, and Takashi Komeda | |
| Facial Activation Control Effect (FACE) | |
| Toni Vanhala and Veikko Surakka | |
| Music, Heart Rate, and Emotions in the Context of Stimulating Technologies | |
| Jenni Anttonen, Veikko Surakka | |
| A Multi-Method Approach to the Assessment of Web Page Designs | |
| S.J. Westerman, E.J. Sutherland, L. Robinson, H. Powell, & G.Tuck | |
Computational Models of Emotion and Theoretical Foundations
| Rational Agents that Blush | |
| Paolo Turrini, John-Jules Ch. Meyer, Cristiano Castelfranchi | |
| Wishful Thinking Revision | |
| César F. Pimentel and Maria R. Cravo | |
| An Empathic Rational Dialog Agent | |
| Magalie Ochs, Catherine Pelachaud, and David Sadek | |
| Basing artificial emotion on process and resource management | |
| Stefan Rank and Paolo Petta | |
| The benefits of surprise in dynamic environments: from theory to practice | |
| Emiliano Lorini and Michele Piunti | |
| Modulatory Influence of Motivations on a Schema-Based Architecture: a Simulative Study | |
| Giovanni Pezzulo and Gianguglielmo Calvi | |
| Designing An Emotional and Attentive Virtual Infant | |
| Christopher Peters | |
| A Bottom-Up Investigation of Emotional Modulation in Competitive Scenarios | |
| Lola Ca˜namero and Orlando Avila-García | |
| Enthusiasm and its contagion: nature and function | |
| Isabella Poggi | |
| Learning to Interact with the Caretaker: A Developmental Approach | |
| Antoine Hiolle, Lola Ca˜namero and Arnaud J. Blanchard | |
| Affective adaptation of synthetic social behaviour | |
| Pablo Lucas dos Anjos, Ruth Aylett, Alison Cawsey | |
Affective Databases, Annotations, Tools and Languages
| What should a generic emotion markup language be able to represent? | |
| Marc Schroder, Laurence Devillers, Kostas Karpouzis, Jean-Claude Martin, Catherine Pelachaud, Christian Peter, Hannes Pirker, Bjorn Schuller, Jianhua Tao, and Ian Wilson | |
Towards Knowledge-Based Affective Interaction: Situational Interpretation of Affec |
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| Abdul Rehman Abbasi, Takeaki Uno, Matthew N. Dailey, and Nitin V. Afzulpurkar | |
| Collection and Annotation of a Corpus of Human-Human Multimodal Interactions: Emotion and Others Anthropomorphic Characteristics | |
| Zara Aurélie, Valérie Maffiolo, Jean-Claude Martin, Laurence Devillers | |
| Using Actor Portrayals to Systematically Study Multimodal Emotion Expression: The GEMEP Corpus | |
| Tanja B¨anziger and Klaus R. Scherer | |
| The HUMAINE Database: addressing the collection & annotation of naturalistic & induced emotional data | |
| Ellen Douglas-Cowie, Roddy Cowie, Ian Sneddon, Cate Cox, Orla Lowry, Margaret McRorie, Jean-Claude Martin, Laurence Devillers, Sarkis Abrilian, Anton Batliner, Noam Amir, Kostas Karpouzis | |
Affective Sound and Music Processing
| User-Centered Control of Audio and Visual Expressive Feedback by Full-Body Movements | |
| Ginevra Castellano, Roberto Bresin, Antonio Camurri, Gualtiero Volpe | |
| Towards Affective-Psychophysiological Foundations for Music Production | |
| António Pedro Oliveira and Amílcar Cardoso | |
| Sound design for affective interaction | |
| Anna DeWitt and Roberto Bresin | |
Affective Interactions: Systems and Applications
| Explanatory Style for Socially Interactive Agents | |
| Sejin Oh, Jonathan Gratch and Woontack Woo | |
| Expression of Emotions in Virtual Humans using Lights, Shadows, Composition and Filters | |
| Celso de Melo, Ana Paiva | |
| Pogany: A Tangible Cephalomorphic Interface for Expressive Facial Animation | |
| Christian Jacquemin | |
| SuperDreamCity: An Immersive Virtual Reality Experience that Responds to Electrodermal Activity | |
| Doron Friedman, Kana Suji, and Mel Slater | |
| Stoop to Conquer: Posture and affect interact to influence computer users’ persistence | |
| Hyung-il Ahn, Alea Teeters, Andrew Wang, Cynthia Breazeal, and Rosalind Picard | |
| Video Affective Content Representation and Recognition Using Video Affective Tree and Hidden Markov Models | |
| Kai Sun, Junqing Yu | |
| I Know What I Did Last Summer: Autobiographic Memory in Synthetic Characters | |
| João Dias, Wan Ching Ho, Thurid Vogt, Nathalie Beeckman, Ana Paiva, Elisabeth André | |
| Creative industrial design and computer-based image retrieval: The role of aesthetics and affect | |
| S.J. Westerman, S. Kaur, C. Dukes, & J. Blomfield | |
| Interactive Storytelling with Literary Feelings | |
| David Pizzi, Fred Charles, Jean-Luc Lugrin, Marc Cavazza | |
Evaluating Affective Systems
| Children’s Emotional Interpretation of Synthetic Character Interactions | |
| Lynne Hall, Sarah Woods, Marc Hall, Dieter Wolke | |
| Visual femininity and masculinity in synthetic characters & patterns of affect | |
| Agneta Gulz, Felix Ahlner, and Magnus Haake | |
| The Dynamics of Affective Transitions in Simulation Problem-Solving Environments | |
| Ryan S.J.d. Baker, Ma. Mercedes T. Rodrigo, Ulises E. Xolocotzin | |
| Investigating Human Tutor Responses to Student Uncertainty for Adaptive System Development | |
| Kate Forbes-Riley and Diane Litman | |
| Generalized ”Stigma”: Evidence for Devaluation-by-inhibition Hypothesis from Implicit Learning | |
| Haotian Zhou, Lulu Wan, Xiaolan Fu | |
| Early Prediction of Student Frustration | |
| Scott W. McQuiggan, Sunyoung Lee, and James C. Lester | |
Posters
| A Novel Feature for Emotion Recognition in Voice Based Applications | |
| Hari Krishna Maganti, Stefan Scherer, and G¨unther Palm | |
| Asymmetry of Left Versus Right Lateral Face in Face Recognition . | |
| Wenfeng Chen, Chang Hong Liu, and Xiaolan Fu | |
| Simulating dynamic speech behaviour for virtual agents in emotional situations | |
| Artemy Kotov | |
| A Definition Approach for an “Emotional Turing Test” | |
| Dirk M. Reichardt | |
| Interpolating expressions in unit selection | |
| Marc Schroder | |
| Induction and Evaluation of Affects for Facial Motion Capture | |
| G. Breton, F. Février, E. Jamet, G. Rouxel | |
| Ontology-Driven Affective Chinese Text Analysis and Evaluation Method | |
| Linhong Xu and Hongfei Lin | |
| Modeling the Dynamic Nonlinear Nature of Emotional Phenomena | |
| Luís Morgado and Graça Gaspar | |
| Deception Detection via Blob Motion Pattern Analysis | |
| Fan Xia, Hong Wang, and Junxian Huang | |
| Combining Audio and Video by Dominance in Bimodal Emotion Recognition | |
| Lixing Huang, Le Xin, Liyue Zhao, and Jianhua Tao | |
| Metric Adaptation and Representation Upgrade in an Emotion-based Agent Model | |
| Rodrigo Ventura and Carlos Pinto-Ferreira | |
| Combining Global and Local Classifiers for Lipreading | |
| Shengping Zhang, Hongxun Yao, Yuqi Wan, and Dan Wang | |
| The Personality-enabled Architecture for Cognition (PAC) | |
| Stephen Read, Ph.D., Lynn Miller, Ph.D., Anna Kostygina, Gurveen Chopra, John L. Christensen, Charisse Corsbie-Massay, Wayne Zachary, Ph.D., Jean-Christophe LeMentec, Ph.D., Vassil Iordanov, and Andrew Rosoff | |
| Rules of Emotions: a Linguistic Interpretation of an Emotion Model for Affect Sensing from Texts | |
| Mostafa Al Masum Shaikh, Helmut Prendinger, and Ishizuka Mitsuru | |
| The role of internal states in the emergence of motivation and preference: a robotics approach | |
| Carlos Herrera, Alberto Montebelli, and Tom Ziemke | |
| Feature Combination for Better Differentiating Anger from Neutral in Mandarin Emotional Speech | |
| Tsang-Long Pao, Yu-Te Chen, Jun-Heng Yeh, Yun-Maw Cheng, and Charles S Chien | |
| Affect-insensitive Speaker Recognition by Feature Variety Training | |
| Dongdong Li and Yingchun Yang | |
| Expressing Complex Mental States through Facial Expressions | |
| Xueni Pan, Marco Gillies, Tevfik Metin Sezgin, and Celine Loscos | |
| Metaphor and Affect Detection in an ICA | |
| T. H. Rumbell, C. J. Smith, J. A. Barnden, M. G. Lee, S. R. Glasbey, and A. M. Wallington | |
| An emotional model for synthetic characters with personality | |
| Karim Sehaba, Nicolas Sabouret, and Vincent Corruble | |
| A Tool for Experimenting with Theories of Emotion in MultiAgent Systems (Extended Abstract) | |
| A Tool for Experimenting with Theories of Emotion in MultiAgent Systems (Extended Abstract) | |
| Displaying expression in musical performance by means of a mobile robot | |
| Birgitta Burger and Roberto Bresin | |
| Gradient or Contours Cues? A Gating Experiment for the Timing of the Emotional Information | |
| Nicolas Audibert and Véronique Aubergé | |
| Exploring Manipulative Hand Movements during a Stressful Condition | |
| Miguel Bruns Alonso, Michel Varkevisser, Paul Hekkert, and David V. Keyson | |
| Real Emotion is Dynamic and Interactive | |
| Margaret McRorie and Ian Sneddon | |
| Perception of Emotions from Static Postures | |
| Ahmad S. Shaarani and Daniela M. Romano | |
| Sound for A-Life Agents | |
| Melanie Baljko, John Kamevaar, and Nell Tenhaaf | |
| I-Sounds | |
| Ricardo Cruz, António Brisson, Ana Paiva, and Eduardo Lopes | |
| A Computational Model of Goal Appraisal | |
| William Jarrold | |
| Affective Video Data Collection Using an Automobile Simulator | |
| Tevfik Metin Sezgin and Peter Robinson | |
| Mixed Feelings About Using Phoneme-Level Models in Emotion Recognition | |
| Hannes Pirker | |
| Emotional Faces in Peripheral Crowding | |
| Tian Ran, Wenfeng Chen, and Xiaolan Fu | |
| Affect related acoustic features of speech and their modification | |
| Dandan Cui, Fanbo Meng, Lianhong Cai, and Liuyi Sun | |
